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So what do we do?
If rules about plagiarism are becoming fuzzy, and if many uses of the
Internet seem to contradict academic understandings of intellectual property,
perhaps one place to start would be to spend more, rather than less,
time working with the Internet and talking about the role of technology
in honest, interesting scholarship.
It also seems important, given the level of shared confusion among all
members of the academic community over what constitutes plagiarism, to
recognize that plagiarism does not (necessarily) equal cheating. In fact,
many forms of plagiarism seem to be more an indicator of learning waiting
to happen than an attempt at fraud.
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Patchwriting
Internet technology provides an opportunity to more closely examine
a practice that Rebecca Moore Howard has termed "patchwriting." This
practice of copying, or cutting-and-pasting, small amounts of text
from the Internet (or elsewhere) and claiming it for one's own is
often, at worst, just a misunderstanding on the writer's part of
the conventions associated with using others' ideas. At best, it's
often "a move toward membership in a discourse community, a means
of learning unfamiliar language and ideas," Howard explains. "Far
from indicating a lack of respect for a source text," she continues, "...patchwriting
is a gesture of reverence" (Howard,
Standing, 7).
Howard suggests teaching with patchwriting in mind. For example,
to help writers become at once more cognizant of how such practices
are often viewed in academic culture, and also to help them practice
the process of interpreting and summarizing difficult material, she'll
conduct a class session in which the class summarizes particularly
difficult passages together (Howard,
Standing, 141-145).
Taking this a step further, she even suggests that writers new to
the discourse of their disciplines might benefit from deliberate patchwriting
-- albeit on a temporary basis -- in order to pay attention to the
language and patterns those writers use and to ways those practices
might influence their own writing (Howard,
Standing, 145-149).
And finally, Howard urges writers to spend time on the context in
which notions of plagiarism, and patchwriting as plagiarism, developed
and are sustained. Examining the theories out of which these issues
developed, she explains, can "acquaint students with the history
of and current theoretical work in authorship, so that they come
to realize that the autonomous, originary, proprietary, moral author
is not a foundational fact, but a cultural arbitrary, one that still
governs the expectations for their own writing but that is nevertheless
ceaselessly undergoing change" (Howard,
Standing, 151). In doing so, a writer will not only come to understand
what is acceptable and what is not, and will not only learn how to
use their sources accordingly, but will better understand what they
are able to do as authors, thereby gaining greater facility with
expressing their own ideas.
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Examples for practice and critique
Because the Internet offers open exchange of information, it's not
difficult to think of other ways in which writers could use its resources
while simultaneously examining its role in academic scholarship.
It provides a wealth of examples, for example:
- Critiquing web sites can help groups of writers come to consensus
about what good writing and good scholarship is.
- Examples can also be chosen for their ability to help hone
critical thinking skills (what constitutes well thought-out
argument? what holes can be poked in an argument that seems sound
on the surface? how would a comparison of two different perspectives
raise additional questions?).
- And of course, it's not difficult to find opportunities on the
web to discuss evaluating sources.
All of these practices can help think about not only web resources
but also about broader issues of finding, evaluating, synthesizing,
and presenting one's own work in ways that are appreciated by the
broader academic community.
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Audiences and colleagues
The Internet not only offers writers countless sources that we can
go out and get, but a (theoretically) vast audience for our own work.
Web pages that writers might produce are one way of accessing this
audience. But listservs, chat rooms, news groups, discussion boards,
and other communications opportunities that the Internet provides
can put us in touch with others who share our interests and who can
help us develop our thinking. By engaging consciously in this process,
it's also possible to think more deeply about how knowledge is
formed through the exchange of ideas.
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