Series 3 through 5 and associated subseries are housed in the following containers:
| Container | Folder | Description | Items |
| Subseries 3.1: Prints and negatives |
| 104 | 1 | Box of colored slides on Micronesia, "snap-it," w/letterhead paper, Marshall Islands, n.d. | 49 |
| 2 | Roll of film in small kodak container, n.d. | 1 |
| 3 | Photographs, b&w: Kobe area, Japan, n.d. | 5 |
| 4 | Small yellow boxes of color transparencies: | 6 |
| 5 | a. Korean mask-dances, 1962, prod. Seoul, Korea | 22 |
| 6 | b. Sangram Motion Picture Production Center, 1962, prod. Seoul,
Korea (USIS) [photo of USIS Motion Picture Production Center]
| 14 |
| 7 | c. Litany of Hope shooting, Soraksan: Korean archery, May, 1962 | 11 |
| 8 | d. Seoul and environs, May, 1962 (11) | |
| 9 | e. Easter 1962, Sangnam; old woman dancing, Chungmu, April, 1962 | 11 |
| 10 | f. Corvenia, fishing, May, 1962 | 9 |
| 11 | Photographs, b&w: China scenes, Leynse family members at Chinese landmarks and other places they visited, one studio portrait, 1931, n.d. | 89 |
| 12 | Photographs: China scenes; landscapes, temples, people, 5 color, 24 b&w, n.d. | 29 |
| 13 | Prints: Chinese artwork, b&w, n.d. | 5 |
| 14 | Postcards, China, 5 color, 26 b&w, n.d. | 31 |
| 15 | Pictures in clippings, 2 color, 1 b&w, n.d. | 3 |
| 16 | Large cards, 14 color, 4 b&w, Japan, China, n.d. | 23 |
| 17 | Color slides from China and Korea, 1930s, 5 flats | 5 |
| 105 | 1 of 1 | 14" 35mm. negatives (in mylar strips), various subjects, n.d. | 15 |
| 106 | 1 | Small negs, Peiling Murkdon Photographs Studio, w/folder for holding negs. | 10 |
| 2 | Small albums of negs., marked A-F (lacking B), 1950s, 1961, 1962, n.d. | 5 |
| 3 | a. California, Hawaii, South Pacific Islands., 1951-52 | |
| 4 | c. California, Hong Kong, 1954-55; Hong Kong, Macau, 1954-56 | |
| 5 | d. Singapore, 1957; Djakarta, 1958; Bali, 1959; Maui, Japan, Korea, 1960 | |
| 6 | e. Japan, Korea, some shots for USIS-Korea films, 1961 | |
| 7 | f. Korea: family shots and shots for USIS-Korea films, 1961-1962 | |
| 8 | Black 5x6" album of 3 ½ x 2 ½ and 35mm. negatives with H. Leynses name written on the inside cover. Negatives arranged by country, most described: Honolulu, U.S.A., France, Belgium, Holland, China. Contains images of family, friends, places the Leynses visited when H. Leynse was a child. | 1 |
| 9 | Small metal canisters w/rolls of film negs; most unidentified, some of China | 21 |
| Subseries 3.2: Glass Transparencies |
| 106 | | (Wooden boxes (4), black case (1) holding glass transparencies, China) | 5 |
| 107 | | Temples, crafts, food preparation, agriculture, fishing, trade: | |
| | Color, 4 x 3 | 41 |
| | B&w 3 ¼" square (Great Wall) | 3 |
| | Color 3 ¼" square, temples, gods, n.d. | 3 |
| 108 | | Images of traveling: rivers, boats, and transporting luggage: Color,
4 x 3, n.d.
| 55 |
| 109 | | Photos regarding evangelism in China, cultural scenes, b&w drawings, n.d.: | |
| | Color, 4x3 | 54 |
| | Color 3 ¼" square | 11 |
| | B&w 3 ¼" square | 5 |
| 110 | | China missions or Chinese life; landmarks and people in Peking area: | |
| | B&w and color, 3 ¼"square | 56 |
| | Color, 2" square, n.d. | 3 |
| Subseries 3.3: Transparencies (2x2) |
| 111 | | Case: General description on inside covers; temples, Buddhas, series with title slide labeled: "An Opium Den in Peking Photographed by Waldo Leynse," b&w and color, 2x2, n.d. | 200 |
| Subseries 3.4: Prints (including oversize in mapcase) |
| 112 | | Pieces of artwork; includes prints, original artwork (all n.d.), and pages from book Peking the Beautiful, 1927 | 16 |
| Container | Folder | Description | Items |
| Subseries 4.1: Clippings, 1916-1979) |
| The Film Industry |
| 113 | 1 | Aa-Ak, 1972-1977 | 18 |
| 2 | Al-Az, 1970-1977 | 43 |
| 3 | Academy Awards, 1971-1977 | 20 |
| 4 | Allen, Woody, 1973-1976 | 7 |
| 5 | Animation, 1972-1977 | 20 |
| 6 | Asian films, 1971-1976 | 11 |
| 7 | Australia, 1972-1976 | 40 |
| 8 | Bali, 1968-1971 | 7 |
| 9 | Ba-Bk, 1971-1977 | 41 |
| 10 | B1-Bz, 1971-1977 | 45 |
| 11 | Bergman, Ingmar, 1970-1976 | 16 |
| 12 | Bertolucci, Bernardo,,1971-1977 | 8 |
| 13 | Black Films, 1971-1976 | 20 |
| 14 | Bogart, Humphrey, 1973-1977 | 6 |
| 114 | 1 | Brando, Marlon, 1973-1976 | 21 |
| 2 | British Films, 1972-1974 | 8 |
| 3 | Bunuel, Luis, 1973-1976 | 28 |
| 4 | Ca-Ck, 1963, 1971-1976 | 71 |
| 5 | C1-Cz, 1971-1978 | 81 |
| 6 | Canada, 1971-1976 | 295 |
| 7 | Cannes Film Festival, 1971-1977 | 35 |
| 8 | Capra, Frank, 1971-1977 | 13 |
| 115 | 1 | Censorship, 1973-1975 | 58 |
| 2 | Chabrol, Claude, 1970-1976 | 7 |
| 3 | Chaplin, Charlie, 1971-1975 | 81 |
| 4 | China, 1972-1977 | 118 |
| 5 | China, 1945-1978 | 98 |
| 6 | China, 1945-1978 (cont.) | 55 |
| 7 | Comedy, 1975-1976 | 15 |
| 8 | Coppola, Francis Ford, 1974-1976 | 11 |
| 9 | Costa-Gavras, Constantin, 1971-1976 | 18 |
| 10 | Criticism, 1970-1977 | 106 |
| 11 | D, 1971-1977 | 103 |
| 116 | 1 | Documentary, 1949-1957, 1974-1977 | 138 |
| 2 | Documentary, photographs, 1973 | 3 |
| 3 | E, 1970-1976 | 97 |
| 4 | Eastman-Kodak, n.d. | 10 |
| 5 | Ethnographic, 1970-1976 | 93 |
| 6 | Europe, 1971-1973 | 49 |
| 7 | F, 1970-1977 | 112 |
| 8 | Fellini, Frederico,, 1974-1977 | 18 |
| 9 | Ford, John, 1971-1976 | 38 |
| 10 | France, 1972-1976 | 11 |
| 11 | G, 1970-1977 | 81 |
| 12 | Germany, 1972-1977 | 32 |
| 13 | Griffith, David W., 1926, 1972-1975 | 41 |
| 14 | H, 1971-1977 | 127 |
| 117 | 1 | Hitchcock, 1971-1975 | 44 |
| 2 | Hollywood,, 1971-1977 | 54 |
| 3 | Hong Kong, 1960-1976 | 83 |
| 4 | Horror films, 1973-1976 | 15 |
| 5 | I, 1972-1976 | 38 |
| 6 | India, 1972-1976 | 100 |
| 7 | Indonesia, 1957-1977 | 183 |
| 8 | J, 1973-1976 | 38 |
| 118 | 1 | Japan, 1971-1977 | 167 |
| 2 | Japan, 1971-1977 (cont.) | 52 |
| 3 | Japanese film, 1974 | 121 |
| 4 | K, 1971-1977 | 104 |
| 5 | Korea, 1968-1976 | 12 |
| 6 | Korea, 1968-1976 (cont.) | 44 |
| 7 | L, 1936, 1972-1977 | 96 |
| 8 | Ma-Mk, 1971-1977 | 163 |
| 9 | Micronesia, 1969-1975 | 28 |
| 10 | Ml-Mz, 1973-1976 | 77 |
| 11 | N, 1971-1976 | 88 |
| 12 | O, 1970-1976 | 58 |
| 13 | Pacific, 1969-19671 | 11 |
| 14 | Pa-Pk, 1971-1976 | 82 |
| 15 | Pl-Pz, 1973-1977 | 95 |
| 16 | Philippines, 1973-1975 | 40 |
| 17 | Protest/propaganda films, 1973-1975 | 44 |
| 18 | Q-Rk, 1969, 1972-1976 | 104 |
| 19 | R1-Rz, 1942, 1972-1976 | 88 |
| 119 | 1 | Sa-Sk, 1971-1976 | 84 |
| 2 | S1-Sz, 1960-1976 | 129 |
| 3 | Scorsese, Martin, 1975-1976 | 35 |
| 4 | Scripting, 1972-1977 | 110 |
| 5 | The Seventies, 1970-1979 | 90 |
| 6 | Singapore, 1973-1975 | 6 |
| 7 | The Sixties, 1960-1969 | 3 |
| 8 | Southeast Asia, 1970-1976 | 16 |
| 9 | Stars, 1973-1976 | 20 |
| 10 | Sweden, 1975 | 100 |
| 11 | T, 1934 -1976 | 75 |
| 12 | Taiwan, 1968-1977 | 19 |
| 13 | Taiwan, 1968-1977 (cont.) | 18 |
| 120 | 1 | Teaching film, 1971-1976 |
189 |
| 2 | Television, 1974-1976 | 79 |
| 3 | Thailand, 1971-1975 | 14 |
| 4 | Truffaut, Francois, 1970-1976 | 21 |
| 5 | U-V, 1971-1976 | 62 |
| 6 | Ullman, Liv, 1974-1977 | 19 |
| 7 | United States Government Film, USIA, 1971-1976 | 48 |
| 8 | Vietnam, 1971 | 3 |
| 9 | Violence in films, 1972-1977 | 18 |
| 10 | Wa-Wk, 1971-1976 | 80 |
| 11 | W1-Z, 1973-1977 | 46 |
| 12 | Warhol, Andy, 1974-1975 | 15 |
| 13 | Welles, Orson, 1971-1975 | 16 |
| 14 | Wertmuller, Lina, 1975-1977 | 16 |
| 15 | Wilder, Gene, 1975 | 7 |
| 16 | Wiseman, Frederick, 1971-1977 | 27 |
| 121 | 1 | Women directors in films, 1972-1976 | 51 |
| 2 | Clippings, 1972-1977 | 159 |
| Movies |
| 3 | Aa-Am, 1934-1976 | 51 |
| 4 | An-Az, 1970-1976 | 69 |
| 5 | A11 the Presidents Men, 1976 | 45 |
| 6 | Alice Doesn't Live Here Anymore, 1975 | 16 |
| 7 | American Graffiti, 1973 | 33 |
| 8 | Ba-Bk, 1927-1976 | 121 |
| 9 | B1-Bz, 1959-1976 (with photos) | 102 |
| 10 | Barry Lyndon, 1975-1976 | 26 |
| 11 | Biographical Films, 1975-1976 | 19 |
| 12 | Ca-Cg, 1967-1976 | 71 |
| 13 | Ca-Cg, 1967-1976: photographs | 1 |
| 14 | Cg-Ck, 1971-1974 | 39 |
| 15 | Cl-Cn, 1971-1976 | 84 |
| 122 | 1 | Co-Cz, 1971-1976 | 96 |
| 2 | Co-Cz, 1971-1976: photographs | 1 |
| 3 | Citizen Kane, 1971-1972 | 94 |
| 4 | Chaplin Films, 1973 | 8 |
| 5 | Cries and Whispers, 1973 | 33 |
| 6 | Da-Dk, 1972-1976 | 108 |
| 7 | Di-Doo, 1971-1975 | 84 |
| 8 | Dop-Em, 1967-1975 | 120 |
| 9 | En-Ez, 1966-1974 | 76 |
| 10 | Fa-Fm, 1967-1976 | 70 |
| 11 | Fn-Fz, 1953-1977 | 104 |
| 12 | Fn-Fz, 1953-1977: photographs | 1 |
| 123 | 1 | G, 1941, 1970-1976 | 142 |
| 2 | Godfather, I and II, The, 1971-1975 | 20 |
| 3 | Gone With the Wind, 1940, 1973-1976 | 38 |
| 4 | H, 1971-1975 | 116 |
| 5 | H, 1971-1975: photographs | 1 |
| 6 | I, 1916-1975 | 78 |
| 7 | J, 1934-1975 | 86 |
| 8 | K, 1973-1976: photographs | |
| 9 | K, 1973-1976 | 75 |
| 10 | La-Ld, 1952-1976 | 77 |
| 11 | Le-Lk, 1941-1975 | 59 |
| 12 | Ll-Lz, 1963-1975 | 119 |
| 13 | Last Laugh, The, 1924 | 21 |
| 14 | Last Picture Show, The, 1971 | 21 |
| 15 | Last Tango in Paris, The, 1973 | 38 |
| 124 | 1 | Ma-Md, 1941-1976 | 165 |
| 2 | Me-Mk, 1926-1976 | 61 |
| 3 | M1-Mz, 1925-1975 | 92 |
| 4 | M1-Mz, 1925-1975: photographs | 1 |
| 5 | Magic Flute, The, 1975 | 15 |
| 6 | N, 1946-1976 | 97 |
| 7 | N, 1946-1976: photographs | 1 |
| 125 | 1 | O, 1954-1976 (w/3 photos) | 107 |
| 2 | Pa-Pm, 1941-1975 | 80 |
| 3 | Pa-Pm, 1941-1975: photographs | 1 |
| 4 | Pn-Pz, 1926-1977 | 60 |
| 5 | Q-Rm, 1950-1975 (w/8 photos) | 95 |
| 6 | Rn-Rz, 1939-1976 | 99 |
| 7 | Sa-Sez, 1926-1976 | 118 |
| 8 | Sh-Sk, 1930-1976 | 87 |
| 9 | Sh-Sk, 1930-1976: photographs, postcards | 10 |
| 10 | Sl-Sq, 1937-1977 | 118 |
| 11 | Sr-Sz, 1939, 1971-1976 | 152 |
| 126 | 1 | Ta-Tk, 1951, 1971-1976 | 105 |
| 2 | T1-Tz, 1970-1976 | 85 |
| 3 | Taiwan Film, 1976-1978 | 10 |
| 4 | U, 1972-1976 | 48 |
| 5 | V, 1958-1975 | 28 |
| 6 | Wa-We, 1971-1976 | 76 |
| 7 | Wf-Wz, 1957-1977 | 111 |
| 8 | XYZ, 1942-1975 | 46 |
| 9 | Clippings, 1977-1979 | 71 |
| Subseries 4.2: Oceania Productions, 1954-1973 |
| Chronology |
| 10 | Oceania Productions, n.d. | 12 |
| 11 | Oceania Productions, 1954-1955: closed accounts | 211 |
| 12 | Oceania Productions, 1961-1965 | 120 |
| 13 | Oceania Productions, 1961-1965, n.d.: photographs | 13 |
| 127 | 1 | Oceania Productions, 1965 | 226 |
| 2 | Oceania Productions, 1966 | 230 |
| 3 | Oceania Productions, 1967 | 101 |
| 4 | Oceania Productions, 1968 | 127 |
| 5 | Oceania Productions, 1969 | 267 |
| 6 | Oceania Productions, 1969, Sumodo | 78 |
| 128 | 1 | Oceania Productions, 1969, Sumodo (articles collected by Judith Leynse, 1984-1985) | 6 |
| 2 | Oceania Productions, 1970 | 138 |
| 3 | Oceania Productions, 1971 | 339 |
| 4 | Oceania Productions, 1972 | 227 |
| 5 | Oceania Productions, 1973 | 130 |
| Brochures and Pamphlets |
| 129 | 1 | Oceania Productions, Film brochures, n.d. | 10 |
| 2 | Photoprints for Micronesia pamphlet, n.d. | 9 |
| Subseries 4.3: Writings for Publication, 1945-1975 |
| Short Story Manuscripts and Magazine Articles |
| 3 | "Chinese Parade on Leyte," 1945 | 3 |
| 4 | "Food for Kili," 1952 | 16 |
| 5 | "The Great Wall," 1972 | 24 |
| 6 | "Legends," n.d. | 86 |
| 7 | Leynse articles, 1951 and 1975 | 2 |
| 8 | "The Lure of the Frontier," n.d. | 49 |
| 9 | Manuscripts from Manila, Philippines, 1945, 1946, n.d. | 76 |
| 10 | Photographs, Manila, Philippines, ca. 1943-1945 | 10 |
| 11 | "Porto," 1949 | 70 |
| 12 | "Puppet Yesterday¾ President Tomorrow?," 1949 | 29 |
| 13 | "Shunkin" (Film Treatment), 1970, n.d. | 34 |
| 14 | "Shunkin" (Film Treatment), 1970 | 42 |
| 15 | "Smuggled Entry," 1957 | 10 |
| 16 | "The Songs of Oak Mountain," 1956 | 44 |
| 17 | "Three Blind Mice," n.d. | 178 |
| 18 | "Three Blind Mice," photographs, 1943, n.d. | 9 |
| Book Materials: Selected Short Subjects |
| 130 | 1 | Asian film, 1973-1974 | 77 |
| 2 | Authors page proof, 1974 | 85 |
| 3 | Bibliography, 1974 | 4 |
| 4 | Copy, printed, 1974 | 80 |
| 5 | Draft, 1974 | 90 |
| 6 | Draft, 1974 | 85 |
| 7 | First copy, 1974 | 91 |
| 8 | First draft, 1974 | 108 |
| 9 | Flaherty, Robert, 1974 | 66 |
| 10 | Graphics, n.d. | 16 |
| 11 | Propaganda, 1974 | 35 |
| Subseries 4.4: Washington State University, 1908-1977 |
| Classes |
| 131 | 1 | Sources, n.d. | 50 |
| 2 | Communications 323, 1972-1974 | 126 |
| 3 | Communications 323, Fall 1975 | 9 |
| 4 | Communications 323, Spring 1976 | 106 |
| 5 | Communications 323, Fall 1976 | 41 |
| 6 | Communications 323, Spring 1977 | 35 |
| 7 | Communications 323 - Film criticism folder readings, 1948, 1973-1976 | 23 |
| 8 | Communications 323 - Masters of Cinema, Spring 1975 | 92 |
| 9 | Communications 323 - Statistically reliable test questions, 1976-1977 | 4 |
| 10 | Communications 333 and 416, 1975, n.d. | 4 |
| 11 | Communications 333 Film criticism 1971-1976 | 103 |
| 12 | Communications 323 - Historical film criticism (1908-1922), n.d. | 36 |
| 132 | 1 | Communications 340, 1972-1973 | 111 |
| 2 | Communications 357, n.d. | 12 |
| 3 | Communications 363, articles on scriptwriting, 1974-1975 | 93 |
| 4 | Communications 393, The American Film, Spring 1977 | 76 |
| 5 | Film criticism class, 1975, photographs | 1 |
| 6 | Correspondence, Frank Capra, letter, photograph, card, March 22, 1977 | 3 |
| Communications 475-3, 1970-1976 |
| 133 | 1 | Asian film clippings, 1970-1975 | 123 |
| 2 | Asian films, Spring 1976 | 125 |
| 3 | Folder readings, documentary, 1949-1976 | 110 |
| 4 | Folder readings, documentary, 1970-1976 | 109 |
| 5 | The Documentary, Fall 1976 | 108 |
| 6 | Film seminar, Spring 1975 | 75 |
| 7 | Film clips, 1976, n.d. | 19 |
| 8 | Lecture materials, 1954-1961, n.d. | 17 |
| 9 | Movie goers, 1976-1977 | 3 |
| Reserve Material |
| 10 | Blumer, Ronald, "John Grierson," 1970 | 3 |
| 11 | Callenbach, Ernest, "Grierson," 1974 | 3 |
| 12 | Corliss, Richard, "Robert Flaherty: The Man in the Iron Myth," 1973 | 6 |
| 13 | Dispenza, Joseph, "The March of Time," n.d. | 5 |
| 14 | Fielding, Raymond, "Time Flickers Out: Notes on the Passing of the March of Time," 1957 | 5 |
| 15 | Friedlander, Madeline S., "Challenge for Change: An American View," n.d. | 4 |
| 16 | Harcourt, Peter, "The Innocent Eye," 1964 |
6 |
| 17 | Harpole, Charles, "What is Documentary Film?" 1973 | 4 |
| 18 | Heider, Karl G., "Ethnographic Films," 1974 | 3 |
| 19 | Linton, James, "Moral Dimension in Documentary," 1976 | 6 |
| 20 | MacDougal, David, "Prospects of the Ethnographic Film," 1970 | 16 |
| 21 | Pryluck, Calvin, "Seeking to Take the Longest Journey: A Conversation with Albert Maysles," 1976 | 8 |
| 22 | Pryluck, Calvin, "Ultimatly We Are All Outsiders: The Ethics of Documentary Filming,"1976 | 10 |
| 23 | Rickleft, Roger, "One of Russias Non-Political Dissidents," 1976 | 2 |
| 24 | Ryan, Terry, "The Documentary as Document," n.d. | 8 |
| 25 | Semsel, George S., "Toward a Personal Documentary," 1971 | 5 |
| 26 | Sussex, Elizabeth, "The Golden Years of Grierson," 1972 | 6 |
| 27 | Sussex, Elizabeth, "Grierson on Documentary: The Last Interview," 1973 | 8 |
| 28 | Swertlow, Frank Sean, "The Policy," 1975 | 3 |
| 29 | Weinberg, Herman 0., "The Man with the Movie Camera," n.d. | 4 |
| 30 | Van Dyke, Willard, "Documentaries of the Thirties," 1973 | 3 |
| 31 | Vogel, Amos, "Can We Forget the Evil that She Did," 1973 1 1973 | 2 |
| 32 | Zinnemann, Fred, "Remembering Robert Flaherty," n.d. | 4 |
| 134 | 1 | Washington State University, 1975-1976 | 137 |
| 2 | Washington State University, 1973, photographs, H. Leynse | 1 |
| 3 | Washington State University, 1975-1976 | 91 |
| Subseries 4.5: Film-Related Material, 1957-1976 |
| 4 | Asian Film Festival-Pusan, Korea, 1976 | 6 |
| 5 | Asian Film Festival (22nd), cassette tape w/note, June 1976 | 2 |
| 6 | California State Polytechnic Film, 1970 | 38 |
| 7 | China project, 1971-1973 | 216 |
| 8 | "A Directors Manual" 1956 (holograph notebook, approx. 500 pp.) | 1 |
| 135 | 1 | Great Wall, The, narrative script, n.d. | 6 |
| 2 | Kurosawa, A., 1974-1975 | 174 |
| 3 | Kurosawa, A.,1975 | 131 |
| 4 | Kurosawa, A., 1974-1975 | 80 |
| 5 | Litany of Hope, script, n.d. | 21 |
| 6 | Litany of Hope, photographs, n.d. | 21 |
| 7 | Micronesia, photographs, 1946, 1948-1949, n.d. | 50 |
| 8 | Motion picture agreement with United States government, n.d. (ca. 1950s) | 8 |
| 136 | 1 | Movie equipment, photographs, blueprint, n.d. | 5 |
| 2 | Narcotics Trade: A pictoral account of a safari to opium hills of Northern Thailand, for Oceania Productions, 1957 | 36 |
| 3 | Narcotics Trade: Photographs (negs) taken on location, 1957-1965 | 118 |
| 4 | Subject and descriptive treatments for the film "Opium", n.d. | 26 |
| 5 | Narcotics Trade: Treatment, footage, and script material, n.d. | 171 |
| Out There, A Lone Island (Under One Roof): |
| 137 | 1 | Film treatments, 1966-1967 | 1 |
| 2 | Photos, slides, film negs., on location, n.d. | 153 |
| 3 | Photographs, production stills, n.d. | 83 |
| 4 | Recording assignments (books), 1966-1968, n.d. | 2 |
| 5 | Revisions in shooting and sound, 1968-1969 | 1 |
| 6 | Shipping notices, 1967-1968 | 55 |
| 7 | Shooting script, n.d. | 1 |
|
8 | Correspondence, 1971 (w/film negs.) (added 9-29-91) | 7 |
| 138 | 1 | Sound effects script, n.d. (301 pp. notebook) | 1 |
| 2 | Clippings, promotion, 1966-1970 | 74 |
| 3 | Ullung-Do, 1964-1976 | 135 |
| 4 | President Sukarno's tour through Indonesia, 1959 | 18 |
| 5 | President Sukarno and H. Leynse, photographs, 1959 | 5 |
| 6 | Production ideas, 1966-1973 | 54 |
| Subseries 4.6: Personal Papers, 1921-1971 |
| 7 | Biographical information, 1921-1963 | 9 |
| 8 | Biographical information, photographs, H. Leynse, n.d. | 1 |
| 9 | Chinese and Korean documents, 1962, n.d | 3 |
| 10 | Correspondence, general, 1945-1971 | 137 |
| 11 | Correspondence, photographs accompanying, n.d. (ca. 1965, Korea) | 4 |
| 12 | Foundations, 1964-1965, n.d. | 73 |
| | | |
| 1 | Korean language material, n.d. | 193 |
| 2 | Lecture: "Majuro: An Atoll," n.d. | 16 |
| 3 | Peking American School, 1966 | 12 |
| 4 | Recommendations, 1963-1970 | 11 |
| 5 | Travel orders and vouchers, 1959-1966 | 287 |
| 6 | WSU Anthropology 530: "Ethnography of Mainland China," class notes, 1971 | |
Subseries 4.7: Card File
9 Boxes (eight wood, one metal) containing lecture notes on notecards, handwritten, n.d. |
| 140 | 1 | The American Film | |
| 2 | The Asian Film | |
| 3 | Film Criticism | |
| 4 | Film Production Notes | |
| 5 | Film Scripting | |
| 6 | Masters of the Cinema, A-H | |
| 7 | Masters of the Cinema, I-Z | |
| 8 | Masters of the Cinema | |
| 9 | Photo Communication | |
| Series 5: Memorabilia, 1930-1976, n.d. |
| 141 | 1 | H. Leynse Medal, Asian Film Festival, 1976 | 1 |
| 2 | Notebook with Chinese/English military terms, n.d. | 1 |
| 3 | Small cards, n.d. | 3 |
| 4 | Color cards, n.d. | 3 |
| 5 | Cut-outs, Chinese deities, n.d.; one miniature calendar, 1939 | 3 |
| 6 | Puppets (painted cardboard?), n.d.; small Chinese cards, n.d. | 5 |
| 7 | Sheet poetry, printed by Womens Club, 1930-1931 | 1 |
| 8 | Sheets stationery with color prints, n.d. | 3 |
| 9 | Addresses: loose sheet, in English/Chinese, n.d. | 1 |
| | Brown address book, n.d. | 1 |
| | Found in address book: letter, cards of introduction, November 15 1943, NY; Peking, n.d. | 1, 3 |
| 10 | Prints on cards, n.d.; calendar with notes, 1956 | 4, 1 |
| 11 | Title graphics from various films, n.d., Oceania Productions | |
| 12 | Pencil sketches, selected short subjects: John Grierson, Robert Flaherty (1946), Leni Riefenstahl, Akira Kurosawa, Satyajit Ray, Frank Capra | 6 |
| 142 | 1 | Small brown leather case with seeds | 1 |
| 2 | Small metal box, Small metal rods | 1,3 |
| 3 | Patches from Leynses military service, 1943-1945, CIC Counter-Intelligence | 4 |
| 4 | Small scroll, n.d. | 1 |
| 5 | Original box for seals and stamps above from Oceania Productions | 1 |
| 6 | Wood, rubber, metal stamps from Oceania Productions; negative strip; contact prints, n.d. | 1,4 |
| | Small round container | 1 |